Events & News
Find Members
Member Login
?
save login  
Email Signup

Sign up to receive our event notifications by email.

2008 Scanlan Show

Details   Participants   Virtual Gallery   Printer Friendly Version
0   Badger, Janet Best
I was diagnosed with talent at an early age, and was always the artist of the family. I was proud of my draftsmanship, but as time went by, I realized that I couldn't take credit for my talent; it was a gift. What I do take credit for is the effort I have made through the years to master my craft, those areas of printmaking that I focus on: mezzotint, etching and linoleum. My preferred subject is the human face and figure.  I am fascinated by faces, and in trying to capture them I increase my understanding of what it means to be human, who I am, and what I'm here for.
1   Baldwin, Beatrice
I respond to both my physical location and the environment of ideas. Expressing contrasts, making comparisons and weaving dichotomies into the meanings of images. I combine traditional and non-traditional techniques, hand-coloring, collage and chine colle.
0   Brooks, Janet
I grew up in the tropical sunlight of the Gulf Coast of Texas, surrounded by a rich diversity of flora and fauna. Strong color and attention to detail are integral aspects of my work in art, whether abstract or realistic in style. Much of my work in painting and serigraphy is pure abstraction, influenced by constuctivism, formalism, and optical art. Color and light symbolize emotional, sensual, and spiritual realms for me; structure and clarity of form represent intellectual, objective, and physical realms. Some of these works are concentric in composition; some are fragmented and then layered; some are cut up, cut out, collaged. All can relate to a sense of self in some way.
3   Casey, Belinda
My art is developed from a narrative fragmenting of images. My childhood was rich with colorful characters, steel magnolias and a confluence of mixed messages. The consequence of this is a creative ability to find humor in most things. My aesthetics reflect these poetic dichotomies: beauty with calculation, the bitter with the sweet, the humorous with the serious; the literary with the familiar; clandestine moments with collected observations. I enjoy the play of metamorphic connections with the subconscious and senses. Sexual entendre and duality of meanings are explored with symbolic and psychological innuendo. Images are juxtaposed, altered, and accessoried with a tongue-in-cheek attitude to form the focus of my work.
3   Gratovich, Annalise Natasha

            I am a Texas hill country girl, born and raised. I am a printmaker to the pit of my heart; printmaking is my soul mate, the love of my life. I work primarily in intaglio, serigraphy, and relief, and have been exploring letterpress and limited edition books as well.

            Having proudly graduated from drawing the heart clouds and unicorns of my childhood, I now create my own fantastical characters who live in enchanted environments. My characters provide a way for me, when I am feeling daydreamy and introverted, to explore the bittersweet moments of human interaction as well as my own inner confusions. They are the protagonists of my stories who I carefully wrap within worlds of magical realism.

            I have exhibited extensively in the central Texas area, as well as in Chicago and New Orleans. I have work in private collections across the country, and in the permanent collections of the Bibliothèque Nationale de France in Paris, France, the University of Texas at Austin, and Austin Community College, where I first learned the art of Printmaking.

            I have always wanted to build a hot rod, and I still dream about waking up to find unicorns in my yard.   

7   Hayes, Angela
I have always been a writer with a vivid imagination and a skill for portraying emotion in my work. In college I took an art class in printmaking and lost my heart. I haven't stopped writing but I do take my skills as a writer and apply them to my art. Emotion is the core of who we are as people and I try to create work (art and poetry) that taps into my heart and soul, work that expresses something intensely real and intimate. True art is more than just a pretty picture, it says something about who you are, where you've been, and what you feel.
8   Hayman, Carol
My photo based prints are about light and its interaction with the artifacts that clutter our daily lives, that people leave behind, or natural objects around us. This interaction is mysterious and beautiful, imbued with significance, but unnoticed by most people. My mission is to call attention to these moments, to show the excitement in the mundane.
4   Lagattuta, Jo

As an art therapist, I am constantly in touch with the art of healing. Because I believe in the power of art to "concretize" personal changes I tend to use art for my own therapy and as a way to process "my stuff." In so doing, I hope the healing qualities that may be exhibited in my art will influence the viewer to find solace in the art piece.

1   Pavlik, Anna Marie

Growing concern for the survival of natural areas and a need to understand the relationship of people to their environment have encouraged me to explore nature related themes.  My images are concerned with revealing and defining how nature has functioned.  I extract the concepts which I visually explore, from my exploration of natural sites, science publications, and speaking with the National Park Service.  By creating these works I hope to direct the viewers attention to the irreplaceable value, sublime beauty, and mystery found within our natural environment.  I attempt to work with these concepts in two general ways, landscape pieces such as "Mojave Forest" and the compiled images of "Capsized, Buffalo National River.  

 

As I develop images I am thinking about how what I see and am learning can be transformed into another concept utilizing the techniques of the etching process.  This is the basis for "Mongswa, the animal that eats twigs" my initial nature based compilation image.  I wanted to find a way to show the complexity of the Superior National Forest of northern Minnesota while attracting the viewer with the shape of a dominant and majestic animal.  Combining these ideas gave me an opportunity to include detail and still offer a form which could be comprehended from a distance.  I went on to use this approach with "Tatanka, great plains" (American Bison).  And in "Capsized, Buffalo National River" I focused on the narrative sharing my exploration of the river with landscape forms which I encountered while canoeing.  
 

AWARDS

KENTUCKY STATE FAIR, First Prize Printmaking (2012)

FLORAL FUSSION, Best Two Dimensional Art Award (2012)

KENTUCKY STATE FAIR, Best in Show Fine Arts & Craft, Purchase Award (2011)

FRANKLIN COUNTY FAIR, Best of Show, Frankfort, Kentucky (2011)

KENTUCKY STATE FAIR, First Prize Printmaking (2010)

GEORGETOWN ART WORKS FALL ART HOP, First Place Printmaking (Juror Katherine Brimberry) (2009)

PRINT USA, Springfield Art Museum, Museum Purchase Award (Director Jerry Berger) (2007)

PRINTMAKING COMPETITION, Taylor Artist Guild, First Place Award (Juror Dan Grife)(2007)

 

SELECTED EXHIBITIONS

2012 TREES AND EXPLORATION, Grand Theater Gallery, Frankfort, Kentucky

2012 ART IN THE GARDENS, Liberty Hall, Frankfort, Kentucky

2012 Floral Fusion, Scott County Cultural Center, Georgetown, Kentucky

2012 FULL SPECTRUM, Philadelphia Museum of Art, Philadelphia, Pennsylvania (Curated)

2012 EARTHDAY, Northern Prints Gallery, Duluth, Minnesota (invitational)

2012 NATURE ETCHINGS, Capital Sellers, Frankfort, Kentucky (solo)

2012 ABOUT FACE, Kentucky Artisan Center at Berea, Berea, Kentucky (juried/invitational)

2011 CATOCTIN, ARTISTS IN RESIDENCE, Delaplaine Center, Frederick, Maryland (invitational) 

2011 KENTUCKY STATE FAIR, Best in Show – Purchase Award, Louisville, Kentucky

2011 HAND PRINTED, Grand Hand Gallery, St Paul, Minnesota (invitational) 

2010 COLLECTIONS, Gallery of Contemporary Art, Frankfort, Kentucky

2010 STOP THE PRESSES, University of St. Thomas, St. Paul, Minnesota (group)

2010 KENTUCKY STATE FAIR, First Prize Printmaking, Louisville, Kentucky

2010 FRANKLIN COUNTY FAIR, Blue Ribbon Award, Frankfort, Kentucky

2010 FRANKFORT ART TOUR, Capital Gallery of Contemporary Art, Frankfort, Kentucky

2010 DOWNTOWN GALLERY HOP, Ann Tower Gallery, Lexington, Kentucky

2010 PRINTMAKING, St. Benedicts College, Collegeville, Minnesota 

 

PUBLIC COLLECTIONS                                                    GALLERY AFFILIATIONS

Amity Art Foundation, Inc, Woodbridge, CT                            Ann Tower Gallery, Lexington, KY

Bickerstaff, Heath, Smiley, et al, Austin, TX                              Art Emporium, Lawrenceburg, Kentucky

Brown Manufacturing Company, Austin, TX                             Bluff Country Artist Gallery, Spring Grove, MN

Dain Bosworth, Minneapolis, Minnesota                                   Collectors Art Group, Cincinnati , OH

Hallmark Corporation, Kansas City, Missouri                           Completely Kentucky, Frankfort, KY

Kentucky State Fair, Kentucky Artist Collection                       Iowa Artisans Gallery, Iowa City, IA 

Mexic-Arte Museum, Austin, Texas                                          Grand Hand Gallery, St. Paul, MN 

Minnesota, Mining & Manufacturing, St Paul, MN                    Kentucky Artisan Center at Berea, Berea, KY

Philadelphia Museum of Art, Philadelphia, PA               Kentucky Museum of Art and Craft, Louisville, KY

Regents Hospital, Wayzata, Minnesota                          Kirchman Gallery, Johnson City, Texas

Post Properties Collection, Dallas, Texas                                  Minnesota Center for Book Arts, Minneapolis, MN

Sower Foundation, Kansas City , Missouri                                Northern Prints Gallery, Duluth, MN

Springfield Museum of Art, Springfield, Missouri                       Ripple River Gallery, Aitkin, MN

Sprint Corporation, Overland Park, Kansas                              Waters of Superior, Duluth, MN

Tweed Museum of Art, Duluth, Minnesota                               

University of Minnesota, Minneapolis, MN                               

University of South Dakota, Vermilion, SD                               

 

LECTURES/RELATED ACTIVIES

2012 Artist in Residence, Petrified Forest National Park, Relief Printing Workshop, Arizona

2012 Art in the Garden, Etching presentation, Liberty Hall Frankfort, Kentucky

2011 Soft Foam Printing Workshop, Josephine Sculpture Garden Arts Festival, Frank fort, Kentucky 

2011 Artist in Residence, Catoctin Mountain Park, Presentation and Workshop, Maryland

2009 Artist in Residence, Joshua Tree National Park, Presentation and Workshops, California

2009 Working with Galleries, Women Printmakers of Austin Meeting, Austin, Texas

2008 Printing Demonstration, Annarella Home, Georgetown, Texas

2008 Presentation, Concept Development and Printing Technique, St Stephen’s Episcopal School, Austin, TX

2008 Printing Demonstration, Dougherty Art Center, Austin, Texas

2008 Working with Galleries, Presentation, Women Printmakers of Austin, Austin, Texas

2008 Arts Encounters, Benini Foundation & Sculpture Ranch, Presentation, Johnson City, Texas

2008 Visiting Artist, Lectures and Workshop, Midland College, Midland, Texas

 

PUBLICATIONS (contributing artist)

2008 Trail Guide to the Northland Experience in Prints and Poetry, Calyx Press

2006 Response, Calyx Press, Lake Superior Writers & Northern Printmakers Alliance

2005 Dust & Fire, Bemidji State University Publications, Maureen Gibbon

2004 Shared Visions, Calyx Press, Lake Superior Writers & Northern Printmakers Alliance

 

EDUCATION

Bachelor of Arts, Studio Art 1974; University of Minnesota, Duluth

Drafting Certificate 1976, St Paul Vocational School, St Paul, Minnesota 

Bachelor of Science, Mechanical Engineering 1978; ICS Pennsylvania

 

BRIEF BIOGRAPHY

I was born in Pittsburg, Pennsylvania and after moving multiple times my parents chose Minnesota where I lived until relocating to Austin, Texas, and now reside in Frankfort, Kentucky.  My college years were concentrated in Duluth attending St. Scholastica, the University of Minnesota, and the University of Wisconsin, Superior.  This was followed by a Drafting Certificate from St. Paul Vocational School leading to a B.S. in Mechanical Engineering during employment with Minnesota, Mining & Manufacturing.  My work at 3M was focused on Product Development.  I hold one patent for a wire holding devise.  The need for a greater involvement with art resulted in a membership at Flatbed Press, a print publishing studio in Austin, Texas.  Participation in the Serie Project at Coronado Studio and work at Slugfest Printmaking Workshop evolved into setting up my own studio.  Focus on the intaglio process and stratograph, a monoprint technique have resulted in several bodies of work.  "Personal Poems” is a series of small biographical etchings dealing with issues of adulthood.  "Ideal Mechanical Advantage” presents the transition from the factual world of engineering to a sensory perspective.  "Global Fables” is a collection of pieces that study of the tradition of a short story with a moral from diverse cultures.  I am now focused on work which involves the perilous future of the natural world.  The common factor in each of these series is the narrative theme which each piece presents.  

5   Renz, Linda Joyce

Charred bits of wood perfected by Pacific fires, pigment-laden solutions, torn papers, woven fibers, heart and soul materials that evoke and inspire my visual language to articulate pain, sorrow, joy, the intricacies and complexities of relationships.

Printmaking inspires me, painting feeds my soul, and incorporating castaways in works of combined collage fulfills my desire to extend life. I work on canvas and paper with always a symbolic bit of jaune interspersed for the light of the sun, a sacred reference for hope.

I graduated with a B.A. in Art and English from Houston Baptist University, August 2003.

0   Salinas, Ashley
I enjoy creating art from life. I feel that we are the sum of our experiences and that each moment is an opportunity to become something more. I think we should cherish the mundane, the every day, and the daily routines as they are the root of our personality, the fundamental base of who we are, and which contain the most comfortable moments of our lives.
 
Aside from subject matter I like to blur the border of media. I felt I had reached a peak in my drypoint line drawings. I have always been drawn to charcoal; the softness of the tone; the fragility of the medium. At any moment the marks could be blown or rubbed off the paper. I felt it would be a great achievement to create a reproducible print which captured the very essence of charcoal. Working with hand tools only using roulettes, sandpaper, a drypoint needle, and a scraper/burnisher I have successfully achieved my goal and feel that I have much more to learn.
3   Small, Catherine
My latest series of paintings and hand-pulled prints "The Other Side of Girl" shines a quiet spotlight on the awkward age during transition from childhood to adulthood. While this may seem a carefree and uninhibited time, our modern culture often unfairly burdens one with doubts about self-worth, how to act, body image and sexuality. The works explore, with compassion and sometimes a bit of humor, how we process these learned insecurities.

I enjoy blending narrative and portraiture (and sometimes a bit of humor) into my paintings and prints. My style is influenced by the German Expressionists and the American Social Realists.


Exhibition Details
WHEN:
11/18/2008 - 12/18/2008
WHERE:
Nancy Wilson Scanlan Gallery
CONTACTS:
Chair: Marcela Kourkova
CALENDAR:
10/1/2008: Deadline for Entry
Participate
Event Deadline
The deadline for this event (10/1/2008) has passed.
Photo Gallery