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Anna Kinbar
Chair
Making art enables me to step outside of myself. Printmaking in particular is full of surprises. There are so many possibilities and technics to produce an image, and so the final product is often a surprise to me.
Angela Hayes
Co-Chair
I have always been a writer with a vivid imagination and a skill for portraying emotion in my work. In college I took an art class in printmaking and lost my heart. I haven't stopped writing but I do take my skills as a writer and apply them to my art. Emotion is the core of who we are as people and I try to create work (art and poetry) that taps into my heart and soul, work that expresses something intensely real and intimate. True art is more than just a pretty picture, it says something about who you are, where you've been, and what you feel.
Ashley Salinas
Director/Webmaster
I enjoy creating art from life. I feel that we are the sum of our experiences and that each moment is an opportunity to become something more. I think we should cherish the mundane, the every day, and the daily routines as they are the root of our personality, the fundamental base of who we are, and which contain the most comfortable moments of our lives.
 
Aside from subject matter I like to blur the border of media. I felt I had reached a peak in my drypoint line drawings. I have always been drawn to charcoal; the softness of the tone; the fragility of the medium. At any moment the marks could be blown or rubbed off the paper. I felt it would be a great achievement to create a reproducible print which captured the very essence of charcoal. Working with hand tools only using roulettes, sandpaper, a drypoint needle, and a scraper/burnisher I have successfully achieved my goal and feel that I have much more to learn.
Belinda Casey
Trade Portfolio Chair
My art is developed from a narrative fragmenting of images. My childhood was rich with colorful characters, steel magnolias and a confluence of mixed messages. The consequence of this is a creative ability to find humor in most things. My aesthetics reflect these poetic dichotomies: beauty with calculation, the bitter with the sweet, the humorous with the serious; the literary with the familiar; clandestine moments with collected observations. I enjoy the play of metamorphic connections with the subconscious and senses. Sexual entendre and duality of meanings are explored with symbolic and psychological innuendo. Images are juxtaposed, altered, and accessoried with a tongue-in-cheek attitude to form the focus of my work.


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