WHO IS ELIGIBLE?

WORK ACCEPTED

• WPA Members may submit shrink-wrapped prints for bins.

  Bin work must be labeled on the back with artist name, title, medium, and price. It is also a good idea to include an information sheet about the print and artist. Each piece should be unique (no editions).

• Board Members & Studio Subscribers may submit framed work for the walls.

  Become a studio subscriber by August 20th for your work to be eligible for review for the WPA catalog listing.
• Digital prints must be combined with a traditional printmaking technique.

FREE STUDIO TIME

• Make art :)
• Greet guests
• Talk about your work, your methods/process
• Accept payments/write receipts

RECEPTION

WHO IS ELIGIBLE?

WORK ACCEPTED

• WPA Members may submit shrink-wrapped prints for bins.

  Bin work must be labeled on the back with artist name, title, medium, and price. It is also a good idea to include an information sheet about the print and artist. Each piece should be unique (no editions).

• Board Members & Studio Subscribers may submit framed work for the walls.

  Become a studio subscriber by August 20th for your work to be eligible for review for the WPA catalog listing.
• Digital prints must be combined with a traditional printmaking technique.

FREE STUDIO TIME

• Make art :)
• Greet guests
• Talk about your work, your methods/process
• Accept payments/write receipts

RECEPTION

One of the often preferred methods for screenprinting is the photo emulsion technique. Photo emulsion is thick liquid substance which reacts to light. Essentially, photo emulsion becomes "tougher" when exposed to light, making it more difficult to remove from surfaces. That's perfect for creating a stencil: we'll "toughen" up parts of the stencil that we want to keep solid, and then wash away the rest.

• Lunch
• 2-6 cloth items with an flat area at least 11 x 14, without seams or pockets
• 8 1/2 x 11 Film Positive i.e. "silhouette" design on clear film.
  • No black area or line less than 1/8th inch.
  • Opaque blacks needed.
  • Toner copier works best. By hand: india ink, sharpie (use brush-type strokes), black acrylic paint

What's Covered:

1. Coating and developing screen stencil
2. Printing and simple registration for one color cloth and paper
3. Rainbow and split fonts

One of the often preferred methods for screenprinting is the photo emulsion technique. Photo emulsion is thick liquid substance which reacts to light. Essentially, photo emulsion becomes "tougher" when exposed to light, making it more difficult to remove from surfaces. That's perfect for creating a stencil: we'll "toughen" up parts of the stencil that we want to keep solid, and then wash away the rest.

• Lunch
• 2-6 cloth items with an flat area at least 11 x 14, without seams or pockets
• 8 1/2 x 11 Film Positive i.e. "silhouette" design on clear film.
  • No black area or line less than 1/8th inch.
  • Opaque blacks needed.
  • Toner copier works best. By hand: india ink, sharpie (use brush-type strokes), black acrylic paint

What's Covered:

1. Coating and developing screen stencil
2. Printing and simple registration for one color cloth and paper
3. Rainbow and split fonts

One of the often preferred methods for screenprinting is the photo emulsion technique. Photo emulsion is thick liquid substance which reacts to light. Essentially, photo emulsion becomes "tougher" when exposed to light, making it more difficult to remove from surfaces. That's perfect for creating a stencil: we'll "toughen" up parts of the stencil that we want to keep solid, and then wash away the rest.

• Lunch
• 2-6 cloth items with an flat area at least 11 x 14, without seams or pockets
• 8 1/2 x 11 Film Positive i.e. "silhouette" design on clear film.
  • No black area or line less than 1/8th inch.
  • Opaque blacks needed.
  • Toner copier works best. By hand: india ink, sharpie (use brush-type strokes), black acrylic paint

What's Covered:

1. Coating and developing screen stencil
2. Printing and simple registration for one color cloth and paper
3. Rainbow and split fonts

WPA Open Studio

• Sundays from 12-3pm. (see the calendar for details)
• $25 for members/$35 for non-members
• Limited to 4 participants per session

To Sign Up

WPA Open Studio

• Sundays from 12-3pm. (see the calendar for details)
• $25 for members/$35 for non-members
• Limited to 4 participants per session

To Sign Up

WPA Open Studio

• Sundays from 12-3pm. (see the calendar for details)
• $25 for members/$35 for non-members
• Limited to 4 participants per session

To Sign Up

WPA Open Studio

• Sundays from 12-3pm. (see the calendar for details)
• $25 for members/$35 for non-members
• Limited to 4 participants per session

To Sign Up